I’ve spent years with a cluttered, unorganized cutting table with all of its essentials either laying around or slung in baskets, and wishing there was a better way. I always wanted pegboard, but never had a place to put any. I finally have it, and here are some pictures I took a couple of weeks ago:

And the other side:

I’ve had the whole shebang set up and organized for weeks, and I had the idea just after I got moved in and really settled in this Studio, so this has been a long time in the making. Ikea and pegboard, what a great combo! The chest of drawers is cheap Ikea furniture that I’ve used for fabric storage and a cutting table for years, but it’s always been stuffed between other pieces of furniture so that I couldn’t access the sides.

Now that I can put it in the middle of the room, the sides were wide open, and just begging for pegboard to hang all the rulers, cutters and associated tools. I had to have Dawn take a trip to Lowe’s for the pegboard and hooks, have the pegboard custom cut to size, and then mail it all to me from North Carolina, would you believe. I looked all over the Internet for some place that would send pegboard here after the guys at the German hardware stores just looked at me like I had a third eye when I asked if they had wooden pegboard. “Metal, yes, wood, no such thing” was their answer.

It’s all worth it though. Now I have easy access to all the cutters, scissors and rulers, and see that little blue thing on the pegboard in the second photo? That’s a pencil holder that Dawn thought would be handy, and it rocks! I can put a small pair of scissors in there, and pencils and pens, and there’s a little shelf sticking out on the front that holds my favorite fabric eraser (that I use for paper, not fabric, btw; best eraser ever). Thanks Dawn, you’re the best!

The only thing I still need to do is to get a better “topper” for the chest, to go under the 24″ x 36″ cutting mat. Get this: I’ve been using an antique mirror that belonged to my grandparents since 1994 when I bought the cutting mat. The mirror is still wrapped in the brown paper from the movers that moved us here to Germany from Las Vegas; we never even tried to hang it up because like many old mirrors, this one is heavy! ITMan never wanted to try to figure out how to keep it from falling off the wall!

So the mirror has served another purpose all these years, as a table top for the cutting table. The brown paper is starting to shred on the edges, so it must be time to do something else! Maybe I’ll request that ITMan take a trip to the hardware store and have something better cut to size while I’m in Des Moines, but I’m not counting on it being high on his priority list! He probably has enough to do…

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I did a small bit of machine quilting today, and I thought I’d share some quick tips to make machine guided grid quilting easier. I’m making a small background quilt to display Inchies, so all I needed was some straight line quilting to hold the layers together and create some visual interest.

On a small quilt sandwich with unpieced bali fabrics on both sides and Hobbs 80/20 Black batting in the middle, I used a ruler and a hera marker to mark the straight quilting lines on the sandwich. A hera marker is simply a piece of plastic with a nicely tapered, curved edge which, when pressed on the fabric, compresses the fibers and leaves a mark that is fairly easy to see. Note that this particular model by Clover is the one I’ve had the best luck with; the others that I’ve tried have been made of softer plastic and didn’t make as nice a mark.

I marked the lines on the quilt sandwich in one direction only, meaning all the lines that are parallel to each other in an up and down direction. If you mark all the grid lines in both directions before you start quilting, you may find that when you mark the second set of lines across the first, the first set of lines will have little waves or points where the second set crosses them, and it will be difficult to quilt straight lines later.

When I’m quilting a grid, whether it’s big or small, I always start with a line of quilting close to the center of the quilt or space, and then work outward to the right and left. I always begin quilting at the top of the piece or area, and quilt toward the bottom, which means rolling up the bulk of the quilt to fit under the machine head when working on the left side. Even with a walking foot or IDT/dual feed, the layers of a quilt sandwich will shift; it’s just a fact of life.

Starting each line of quilting at the top will prevent diagonal wrinkles from forming on the quilt top or back from stitching lines in both directions. Remember this “top-to-bottom” stitching technique the next time you’re putting down stitch in the ditch between rows and blocks on a large quilt, too, as the same idea applies and the same diagonal wrinkles can happen, just on a larger scale.

Once the first set of gridlines was quilted, I marked the second set perpendicular to the first. The second set of quilting lines needs a bit more attention to detail than the first. When you start adding quilting lines that cross other lines, you can run into trouble when the fabric starts shifting. As you come up to a previous line of quilting, you may find that the top fabric of the quilt sandwich starts to form a little hill, which will become a pleat if you keep sewing.

The solution is to slow down and pay special attention in this area. You can use your fingers on the top of the quilt to gently nudge the top fabric toward the presser foot, essentially forcing the top fabric to feed more quickly into the machine to reverse the negative pushing effect that the presser foot is having on the quilt sandwich. Not just for grids, this little nudging technique is infinitely useful whenever I do any kind of machine guided quilting with a walking foot or IDT/dual feed.

A few simple techniques made quick work of this little display quilt, so stay tuned for pics!

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When Paula talked about her homemade Big Board topper, I told ITMan that he might have to help me make one. BUT, I did have some reservations about the whole thing, since my old German wooden board is kind of tiny and I was worried that the whole thing would be unstable, not to mention that I could probably wait for a really long time before ITMan would get to it in the first place.

Anyway, I scrapped the idea when we moved. The owner left her board here for us to use if we wanted it, and it was a really wonderful specimen from Leifheit that had an attached iron rest and even a power socket on the board itself. I went on the hunt for an even bigger, better model, and found the perfect thing. It’s big, it’s beautiful, and far and away the most stylish ironing board I’ve ever owned: the Leifheit Dressfix Plus.

Here she is in all her plaid covered glory, next to the old board:

Notice that instead of a standard shape, it tapers asymetrically so that there is a longer straight edge, perfect for pressing yardage or quilt tops. There’s also a movable iron rest with an attached power socket and cord minder. The iron plugs into the rest, and the rest plugs into the wall, which leaves more cord length available to travel with ease over the wide open spaces of the board.

To add to the list of lovely features, this baby is a mile high. I’m tall, and I was always bending over the other board to get up close and personal with intricate pressing tasks. The new board saves my back because it’s about eight inches taller than the old one! At the highest setting it’s right at low waist level for me, which is perfect.

Seemingly well made, it should last quite a while, if not forever. I told ITMan that when he (predictably) asked “And how much was that thing?!?” It’s all in the name of comfort and functionality, my dear.

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